Color grading effects are for giving your project a unique visual style.
Simulates the harsh, high contrast look of bleach bypass film processing. Often used for war movies.
This effect is ideal for adding color to greyscale, procedural effects such as particles and textures.
Here's a grayscale planet created using a combination of fractal noise and sphere effects inside HitFilm:
Here's the same shot with color vibrance applied:
Color vibrance is particularly effective at retaining detail in bright areas without creating excessive bloom.
The strength of the vibrancy and the luminance preservation can be adjusted, as can the color and phasing of the effect.
Day for night
A quick way to convert a shot filmed in the day to having the appearance of being filmed at night.
Applies a gradient based on the Horizon property, with separate controls for the near and far areas.
Creates a two tone look based on two specified colors.
Threshold is used to adjust the location color split in the image's brightness scale, while softness is used to adjust the overall contrast.
Matches the look of a layer to another layer. This is a quick way to grade based on an existing source.
The transferred grade can then be further customized, either globally or specific to the shadows, mid-tones and highlights.
Brightness shift affects how much of the source's brightness is transferred, while chrominance shift affects how much of the source's color is transferred.
Applies a new hue to the layer,.
Moves the entire color spectrum of the layer through different hues.
LUT files are used to transform color values, which helps to ensure accurate color correction across multiple software and hardware setups. The LUT effect can import .cube LUT files.
LUT also provides a powerful way to provide a one-click grade, simulating specific film stocks and processing techniques. Applying a LUT to flat footage can produce high quality results very quickly.
Take a look at this comparison:
On the left is the original footage, which was purposely shot to be 'flat', providing a neutral starting point for the grade.
The middle image is using a LUT designed to mimic the look of KODACHROME film. The only additional alteration I've made is to slightly reduce the saturation. In about 10 seconds I went from a basic flat look to a highly dramatic and filmic grade. Find out more about KODACHROME and grab the LUT here.
The image on the right is using a Kodak 2393 emulation LUT, Again, I'm achieving a good film look with literally a couple of clicks, and note how different this look is to the KODACHROME. You can download several film emulation LUTs and find some great behind-the-scenes info here.
Shadows & highlights
Provides fine control over the contrast and sharpness of a layer.
Three strip color
Simulates the three strip color film process commonly used in the early days of color film, resulting in richer, deeper colors.
Two strip color
Simulates the two strip color film process. More information on the process can be found in this article on Wikipedia.
Adds pop to your image, emphasizing edge detail by increasing local contrast.
Adds a colored overlay to the edges of the layer. You can customize the color, shape and softness of the vignette.
This alternate vignette effect adjusts the exposure of the edges of the frame, instead of applying an overlay. This can produce a subtler and more natural vignetting result.
The vignette can also be pushed brighter, which creates a halo effect or can be used to reduce the effects of unwanted vignetting in the source footage.Color grading effects are for giving your project a unique visual style.